Theory of a Deadman
Live Saturday August 10, 2019
Veterans Memorial Park, Bay City MI Gates open at 5pm
One Day Ticket Sales February 23rd 10:00 am - 2:00pm
G. A. tickets $25.00 and VIP at $45.00
G.A. Tickets $35 after one day sale
Live Friday August 9, 2019
Veterans Memorial Park, Bay City MI Gates open at 5pm
One Day Ticket Sales February 23rd 10:00 am - 2:00pm
G. A. tickets $25.00 and VIP at $50.00
G.A. Tickets $35 after one day sale
Prime Brothers on Euclid in Bay City
Graff on Wilder in Bay City
Rico's Authentic Mexican Take Out on Bay Road in Saginaw
Available online at BayCityConcerts.com
On September 13th, 2017 Foreigner’s catalog sales were celebrated in Business Insider magazine as hitting the Top 40 among the Best Selling Music Artists of All Time. The Beatles were justifiably #1, but Foreigner came in ahead of Britney Spears, Bob Dylan, Phil Collins, Prince, Queen, Bon Jovi and Def Leppard.
With ten multi-platinum albums and sixteen Top 30 hits, Foreigner is universally hailed as one of the most popular rock acts in the world with a formidable musical arsenal that continues to propel sold-out tours and album sales, now exceeding 75 million.
Responsible for some of rock and roll’s most enduring anthems including Juke Box Hero, Cold As Ice, Hot Blooded, Waiting For A Girl Like You, Feels Like The First Time, Urgent, Head Games, Say You Will, Dirty White Boy, Long, Long Way From Home and the worldwide #1 hit, I Want To Know What Love Is, Foreigner continues to rock the charts more than 40 years into the game with massive airplay and continued Billboard Top 200 album success. Foreigner also features strongly in every category in Billboard’s Greatest of All Time listing. Catalog sales often eclipse those of Led Zeppelin, AC/DC, the Rolling Stones, the Who, Def Leppard, Van Halen, Aerosmith and most of their Classic Rock peers. (Source: Nielsen SoundScan week ending 8/3/17).
Founded in 1976, Foreigner’s debut album produced the hits “Feels Like The First Time,” “Cold As Ice” and “Long, Long Way From Home.” The album Double Vision followed, as did a string of hits like “Urgent,” “Juke Box Hero” and “Waiting For A Girl Like You.” Those songs helped give Foreigner’s next album, 4, its impressive run at #1 on the Billboard chart. At the zenith of 80’s sound, Foreigner’s fifth album, Agent Provocateur, gave the world the incredible #1 global hit,” I Want To Know What Love Is.” This musical milestone followed the record-breaking song “Waiting For A Girl Like You.”
At Foreigner’s core is the founder and Songwriters Hall of Fame member Mick Jones, the visionary maestro whose stylistic songwriting, indelible guitar hooks and multi-layered talents continue to escalate Foreigner’s influence and guide the band to new horizons. He reformed the band after a 2002 hiatus and selected lead singer Kelly Hansen to help write an inspired new chapter in the history of Foreigner. One of rock’s greatest showmen, Hansen is known for his innate ability to connect with the crowds. As a front man and lead vocalist, Hansen is among the most respected, consummate professionals in rock and roll. With a 35-year career that spans almost every area of music, from the role of lead vocalist to producing and engineering, Kelly has the unique ability to advance and excel when faced with new challenges.
Mick also brought in bassist Jeff Pilson, multi-instrumentalist Tom Gimbel, guitarist Bruce Watson, Michael Bluestein on keyboards, and Chris Frazier on drums. An unprecedented new level of energy lead the group to a re-emergence of astounding music that speaks to long time Foreigner fans and younger generations. With renewed vitality and direction, Foreigner hit the Billboard charts again with the 2005 release of their live greatest hits album, Extended Versions. Can’t Slow Down followed in 2009 and entered the Billboard chart in the Top 30, driven by two Top 20 radio singles, “In Pieces” and “When It Comes To Love.” To follow was the release of the band’s 3-disc set, Feels Like The First Time, which included an acoustic CD with an intimate and unique re-interpretation of many Foreigner classics, studio re-records by the new lineup and a live performance DVD showcasing the group’s exceptional live energy.
Foreigner experienced another surge in popularity when several of their hits were featured on the Rock of Ages soundtrack, including “I Want To Know What Love Is,” “Juke Box Hero” and “Waiting For A Girl Like You” – more songs than any other one band on the soundtrack. Hollywood quickly took note, and several more tracks were featured in hit films “Anchorman 2,” “Magic Mike” and “Pitch Perfect,” sending Foreigner downloads up 400%. The video game industry was soon to follow with the blockbuster release, “Grand Theft Auto V”.
Downloads continued to soar after their worldwide #1 hit “I Want To Know What Love Is” was featured as the 2015 season finale end title of “Orange Is The New Black.” Foreigner hits have also recently been included in such primetime TV shows as “The Late Show with Stephen Colbert" and “The Tonight Show with Jimmy Fallon,” among others. Hot Blooded is on the trailer for the Angry Birds movie and has been streamed more than 6 million times. The high visibility of Foreigner’s songs continues to introduce the band’s music to a whole future generation of fans, exemplified by Jack Black’s version of “Juke Box Hero” in Kung Fu Panda 3. “I Want To Know What Love Is” featured in the summer 2017 box-office #1 “The Hitman’s Bodyguard” and “Waiting For A Girl Like You” is featured in Netflix’s “Stranger Things”.
In June 2013, Mick Jones was inducted to the Songwriters Hall Of Fame. A multi-talented and multi-dimensional “musician’s musician,” Jones has also written songs such as “Bad Love” with Eric Claptonand “Dreamer” with Ozzy Osbourne, and produced records for others including Billy Joel’s Storm Frontand Van Halen’s 5150. A Grammy and Golden Globe-nominated songwriter, Jones is the winner of the prestigious British Ivor Novello Songwriter Award for “The Flame Still Burns”, the soundtrack music for the film Still Crazy.
In May 2014, Atlantic Records Chairman Craig Kallman presented Mick Jones with RIAA gold and platinum digital awards for six Foreigner songs. These awards signify 500,000 and 1,000,000 downloads of Foreigner hits. That is more individual awards than any other heritage rock band, and an illustration of Foreigner’s resonance in the digital era.
The year continued with Foreigner’s headline run in The Soundtrack of Summer US amphitheater tour. The hits compilation album of the same name was released to coincide with the tour and immediately hit the Billboard Top 200 chart, peaking at #64. For most weeks during the tour, Juke Box Heroes joined The Soundtrack Of Summer in the Billboard Top 200 making Foreigner the only Classic Rock band to have such a remarkable presence in today’s chart.
Foreigner made headlines again in the summer of 2015 while gaining legions of new fans by joining mega act Kid Rock on his “Cheap Date: First Kiss Tour,” rocking amphitheatres and stadiums across the United States.
Foreigner kicked off 2016 with a much hailed unplugged appearance on The Today Show on February 11th followed by a short run of New York area sold out acoustic shows culminating with an epic concert at The Lincoln Center as part of the acclaimed American Songbook Series. These appearances coincided with the release of Foreigner’s first ever live acoustic album In Concert: Unplugged. The band’s royalties are donated to JDRF (Juvenile Diabetes Research Foundation) and the album is available exclusively via Amazon. Foreigner recorded this unique acoustic album at a once-in-a-lifetime private concert hosted by Edsel B. Ford II on August 24, 2015 at the Ford Motor Company Conference & Event Center in Detroit, MI. In October 2016, Foreigner performed for the very first time at New York’s iconic Carnegie Hall with a sold out acoustic show. The show highlighted the band’s ongoing relationship with the GRAMMY Museum’s initiative to promote music education in our nation’s schools. It included an a cappella contest among New York high schools who competed for a $5,000 prize donated by the band.
2017 marked the celebration of Foreigner’s 40th anniversary. It commenced with a European tour that included Foreigner performing orchestral versions of the hits with the 21st Century Symphony Orchestra in Lucerne, Switzerland. The Warner Music Group released a double CD set ‘40’, which includes 40 songs recorded between 1977 and 2017. The album features two tracks recorded especially for this release, ‘Give My Life For Love’ and a new version of ‘I Don’t Want To Live Without You.’ The album spent nine weeks in the Billboard Top 200 chart. The US anniversary headline tour played 40 shows across the United States where the band was supported by Cheap Trick and Jason Bonham’s Led Zeppelin Experience.
Foreigner is one of the most viewed YouTube artists with anywhere between 700,000 and 900,000 weekly viewings of their songs (Source: Next Big Sound).
“Complacency is such a disease when you’re in a band,” says Tyler Connolly, singer and guitarist for Theory. “People are so afraid to progress, but you have to change—you can’t just write the same song over and over. So when I saw where this record was going, I said to the other guys, ‘We’re in a car and it’s going off a cliff. Do you want to jump out or ride it to the bottom?’ “
With their sixth studio album, Wake Up Call, Theory hit the reset button, diving into a new sound, a new approach, even a new location. The more melodic, intimate style that defines the project is a bold move for one of the leading rock bands in the world. Since forming in British Columbia in 2001, Theory of a Deadman—Connolly, guitarist Dave Brenner, bassist Dean Back, and drummer Joey Dandeneau—have placed nine songs in the Top 10 on the rock charts, including the Number One hits “Bad Girlfriend,” “Lowlife,” “So Happy,” and “Angel.”
the success of 2014’s Savages album (which reached the Top Ten on the Hot 100 albums chart, and topped both the Alternative and Hard Rock charts), Connolly began writing again, but he was frustrated by what he was hearing. “The songs all felt like they were in the same place as the last record,” he says, “and I wasn’t happy, I just didn’t like what we were doing.”
He bought a piano for himself, an instrument he had never played, and he soon discovered that it was unlocking something new. “I started writing songs that felt musically different,” he says. “It opened my mind to different ideas, and I think that was the catapult for where this album went.”
But maybe this story starts much further back. Connolly’s father was a piano player, and he grew up surrounded by the sound of the keyboard. “As soon as I started noodling, thirty years of hearing my dad play opened up this whole thing that didn’t exist before,” he says. “There were sounds I heard my whole life but ignored, ingrained inside me.
“It was crazy how fast stuff came out of me,” he continues. “Every time I sat down at the piano, I would write a song. And I don’t think I’ve ever felt such freedom—I could write anything, I felt no fear about upsetting people or pressure to write any specific kind of song.”
Connolly noticed a shift not only in the melodies he was coming up with, but in the words as well. “When I finished the lyrics to ‘RX’ [the first single from Wake Up Call], I felt like I had something to say. I really wanted to write great lyrics, not just throw stuff on there or give the fans something to crank up in the car.”
The songs also tapped into a new sense of maturity, even contentment. “On our fourth record [2011’s The Truth Is…], I had just gone through a divorce and I was so angry, stuff came out that was really hateful,” he says. “This time, there’s much less aggro stuff—nothing comes from a place of spite or anger.”
Connolly and drummer Dandeneau worked up demos for the new songs via email, initially trying to make them “as naked as possible.” Only when they went into the studio did they think more consciously about how to present the new material; as Connolly says “to put the clothes on—like, ‘Does this one need jeans or a suit?’ “
The band’s next decisive move was to commit to a new producer for Wake Up Call. In fact, though, Martin Terefe—who has worked with a wide range of artists including Jason Mraz, Mary J. Blige, and Train—expressed interest in collaborating with them first. “Our label sent Martin some of the songs blind,” explains Connolly, “and he heard them and said, ‘Is this a pop artist?’ They told him no, it was the opposite, it was a rock band, and he said he wanted to do it.”
Theory headed to Terefe’s Kensaltown Studios in London for a grand experiment. “It was like a first date,” says Connolly. “He was on ground he was not comfortable with, and everything seemed so scary to us—everything he suggested was the opposite of what we wanted. We definitely had some sleepless nights, but we just had to jump in the water and go for it.”
Songs went into directions that surprised the band members. Dandeneau was especially taken with the sparse demo of a song called “Time Machine,” but in the studio it assumed a more breezy and rhythmic feel.
Listening back to the album on the final night before they headed home, the band got to the track “Loner” and suddenly felt dissatisfied. “It was just terrible!,” says Connolly. “We were all like, ‘What happened?’ So it’s the last night, we’re eating dinner, and we said, ‘Let’s just bang it out.’ We deleted it and started over, slowed it down and changed the key, and we finished that night. It was such a pat on the back to the band that after seven weeks, we knew we could track a whole song in a few hours.”
Connolly points to the song “Echoes” as a breakthrough for both his writing and his vocal performance. “It’s a very U2-ish song,” he says, “kind of that one-take, ‘Where the Streets Have No Name’ feel, and I’ve never really done that before. ‘Echoes’ really hits home with me—as you get older, you have more past and less future, more memories. It’s so hard to let go of all those past things, the things that I think about when I’m going to sleep.
“Martin made me sing in this big room with everyone else watching,” he continues. “It was so emotional, you can hear my voice cracking—I’d never had that hard a time getting through a song. But I felt such attachment to these songs, you can really hear it in my voice.”
In the year leading up to Wake Up Call, Theory released a series of unlikely covers—“Hallelujah” (which came out the week of Leonard Cohen’s death last November, though it had been recorded months earlier), Sting’s “Shape of My Heart,” “Cold Water” by Major Lazer. “Those were just me sitting at home bored, trying to get outside the box,” says Connolly. “They’re all so out of my element and so difficult to sing.”
One of these covers, Chris Isaak’s “Wicked Game,” makes for an unexpected closing track on the album. “We had a bunch of great songs and didn’t need to throw in a cover,” says the singer, “but we thought this one could turn into something great.”
Now comes the challenge of integrating this new material alongside the band’s beloved catalogue on stage. “There’s a real dichotomy of Theory now, two very different sides,” says Connolly. “Not that we want to get away from our old songs, but the new songs are so diverse, such a juxtaposition. We’ve been playing ‘RX’ and it’s super-different, and we’ll add another couple in the fall tour. We’re really working on building a big show, and trying to make it all more visual, as well.”
Tyler Connolly knows that the ambitions of Wake Up Call—from its more atmospheric songs to its most propulsive and beat-driven—may meet with some resistance from Theory’s fan base. “It might be a little awkward, but we were always a songs band, not a sound band—we’re not AC/DC,” he says. “We’ve also been seeing that rock music was becoming smaller, more of an invite-only clique, and we really wanted to make something big and very progressive for us. And hopefully, the rest of the bands will cheer us on, and maybe be a little less afraid to try something different.”
Wesley Reid Scantlin (vocals/guitar)
Matt Fuller (lead guitar/backing vocals)
Michael John Adams (bass/backing vocals)
Dave Moreno (drums/backing vocals)
Puddle Of Mudd is an American post- grunge band from Kansas City, Missouri. The band has sold over 7 million albums and has a string of No.1 mainstream rock singles in the US. Their major label debut ‘Come Clean’ has sold over five million copies.
Ask Puddle of Mudd frontman Wes Scantlin about the writing and recording of the album Volume 4: Songs in the Key of Love & Hate, and he responds with the same spirit of carefree wanderlust that defines his band: "It's all easy peezy, dude, no big deal at all..."Not to him, maybe. Wes Scantlin is custom-made for the new millennium, a rock star without the pretense, and a frontman whose spontaneity propels his offstage personality as much as it does his onstage delivery. "Wes is constantly adjusting to the vibe in the room, throwing his flavor in there and constantly trying to make people laugh," explains bassist Doug Ardito. "He doesn't do the David Lee Roth thing, where he delivers the same lines every night, he's completely off-the-cuff."
On Volume 4, Scantlin does deliver the same savvy lyrics that fans have come to expect since the band's multi-platinum debut, Come Clean, weaving subtle innuendo and not-so-subtle lyrical wordplay around vocal hooks so thick, they even seem to make life's more sour realities easier to swallow. Case in point, "Psycho," the smash single from the band's 2007 release Famous that rationalizes a relationship with, 'maybe I'm the one, who is, a schizophrenic psycho.'
Famous, like both albums before it, was certified Gold after selling more than 500,000 copies in America alone. Propelled by "Psycho," the album cemented Puddle of Mudd's status as bona-fide hit makers, and earned them industry accolades including Billboard's No. 1 Mainstream Rock Song of 2008 and No. 2 Rock Band of the Year, where they finished second only to the Foo Fighters. Keeping in that tradition, the new album goes down like the smoothest shot you'll ever take. No chaser required - unless, like Scantlin and guitarist Paul Phillips, you opt for a cold, frosty one.
Volume 4 is a homecoming for Phillips, who left the band shortly into the recording process for Famous. Despite the success of "Psycho," something was missing, and when Phillips and Scantlin reconnected earlier this year, all the prior tension had
melted away and their chemistry was rediscovered.
Early Years (1992-2000)
Puddle Of Mudd was formed September 13, 1991 by Wes Scantlin (vocals/ rhythm guitar). According to Wes, the band name was inspired by practicing next to the Missouri River levy which always inundated the bands practice space but never ruined their equipment because they were on the second floor. Their first album, Stuck, was released in 1994 on V&R Records; it spawned two radio singles.
In September 2014, the band released the non- album single “Piece of the Action”.
In July 2015 band announced that they were recording their sixth studio album.
Saliva is an American rock band formed in Memphis, Tennessee in 1996. Saliva released their self-titled debut album on August 26, 1997, through Rockingchair Records, a record label owned and operated by Mark Yoshida, who recorded and produced the release at his studio, Rockingchair Studios.
They were signed to Island Records and went on to release their second studio album Every Six Seconds. Saliva later released their third studio album titled Back into Your System on November 12, 2002 which reached No. 19 on the Billboard 200. Back into Your System launched one of Saliva's most successful songs, "Always", reaching No. 51 on the Billboard Hot 100 and No. 1 on the Modern Rock Chart. Three years after Survival of the Sickest, Saliva released Blood Stained Love Story on January 23, 2007, repeating Back into Your System's chart performance at No. 19 on the Billboard 200. Its first single, "Ladies and Gentlemen", peaked at No. 2 on the Mainstream Rock Chart. Saliva Discography: 16 top 40s, of which 9 top 20s and 1 Number one "Always".
Trapt is an American rock band that formed in Los Gatos, California in 1995, best known for their chart-topping 2002 single "Headstrong". The group consists of lead vocalist Chris Taylor Brown, bassist Peter "Pete" Charell, drummer Brendan Hengle, and guitarist David Sudock. They have released seven studio albums to date: Amalgamation (1999), Trapt (2002), Someone in Control (2005), Only Through the Pain (2008), No Apologies (2010), Reborn (2013), and DNA (2016). Discography: 13 top 40s, of which 9 top 20s, of which 1 number ones "Headstrong" and Still Frame".